Sunday, June 19, 2011

Clarence Clemons of the E Street Band Dies

Photo: SPIN Magazine
When you think saxophone player, the name Kenny G probably comes to mind; but for rock legends it’s Clarence Clemons, also known as the “Big Man” by Springsteen fans for generations of stellar saxophone blowing. According to numerous reports and blowing up the “Twitter-verse,” the “Big Man” with the big horn has passed away at 69.



Spin Magazine tweeted:


And through the immense response like Coba Stella’s tweet “@SPINmagazine RIP Clarence Clemons. Music saves the soul, and you played a part in that,” and Michael Welch (@MichaelWelchAct) noting in 140 characters, “RIP to The Big Man, Clarence Clemons. If Bruce is The Boss, Clarence was Senior VP of E Street,” Clemons will be greatly missed in the rock world.

Rolling Stone Magazine (@RollingStone) shared a tweet with Bruce Springsteen’s response to the loss of his bandmate:


Clemons and Springsteen
Photo: Rolling Stone Magazine
According to the article in Spin Magazine, Clemons passed from complications from a stroke he had suffered last weekend. Bruce Springsteen told Rolling Stone Magazine, “His loss is immeasurable and we are honored and thankful to have known him and had the opportunity to stand beside him for nearly forty years.”

Clemons was recently featured in Lady Gaga’s new song and video “Edge of Glory” that was released “a few days before Clemons’ actual death—but after he suffered the severe stroke which eventually killed him,” as reported by Spinner.com (@Spinner). In a tweet from a Lady Gaga representative (@hausofjay), during Gaga’s 2011 Much Music Video Award winning speech, Gaga said, “I'd like to dedicate this award to my grandfather, who's in heaven right now with Clarence. I'm on the edge with both of you.”

Although Twitter was able to provide us with instant news on the death of Clarence Clemons, it seems as though his memory will live on forever.

More on Clarence Clemons and other real-time music news can be found here, with reports of Clemons’ death reported by Rolling Stone Magazine (@RollingStone), Spin Magazine (@SPINmagazine) and Spinner.com (@Spinner).




Sunday, June 12, 2011

YouTube—Discovering Talent One Cover Song at a Time

In the age of social media one of the best ways to gain exposure on any venture is through the means of social networking sites like, Facebook, MySpace, Twitter, and YouTube. But what’s the best way for you to make a name for yourself in the Music Industry—start with YouTube, and better yet, cover songs that already have a following.

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Needless to say, it’s becoming more difficult to make it in the music industry. Every generation’s passing sparks more talent, more musical diversity, and more competition. One great way to stand apart from the ‘old-school’ way in getting noticed is to utilize the many tools provided by the age of technology, and in this case YouTube is a safe bet.

According to Rodney Ho for Radio and TV Talk, YouTube has become the source for the rebirth of the music video. It has created a forum for unsigned artists to highlight their talents to the 410 million unique visitors in the United States and 1.4 billion worldwide visitors according to Google Ad Planner.

Ho points out that YouTube is responsible for making the careers of prominent artists like teen sensation Justin Bieber and OK Go, who’s 2006 treadmill video for Here It Goes Again “Was not only a successful video, but it made their career” as stated by Jay Frank, senior vice president for CMT’s music strategy. And what better way to get noticed than featuring videos of yourself or your band playing songs with major popular appeal.

Boyce Avenue is a band made up of three brothers that coined a YouTube following by doing just that. They have covered songs from the likings of Katy Perry, Bruno Mars and The Black Eyed Peas, all of which have very successful music careers and mass followings on every social network. As seen on their YouTube channel, Boyce Avenue posted 52 videos of popular cover songs before introducing the world to their original songs. The following chart displays YouTube views for four of their cover songs and four of their original songs:


As seen in the chart the total views for Boyce Avenues cover songs is over 12 million views which makes up for about 67 percent of their total views compared to their 5 million original song views. Since starting their YouTube channel in 2008 and utilizing the power of cover songs, Boyce Avenue has signed to 3 Piece Records and embarked on multiple tours in the US and abroad.

Furthermore, at home talents have been recognized by their cover song videos by the artists that originally composed the track. Paramore’s newest track Monster has brought forth many cover versions, one of which was posted on Haley Williams’ blog (ran by Williams herself) which led many viewers to Drew Tabor’s YouTube channel that has received 28 thousand views in one week compared to her original track Not My Life that has acquired 14 thousand views in six months time.
Haley Williams from Paramore posted Drew Tabor's cover of Monster on her Tumblr Blog
There are no guarantees when it comes to the music industry. Popular music is always changing with each generations passing. What can be said about the possibilities in “average Joe’s” making it in the music industry is utilizing powerful tools in social media like YouTube to showcase your talents can prove successful. Even further, showcasing your talents in recreating songs that already have a following poses as a strong foundation for a successful music career.




Paramore--Forever more.

Paramore 2011 (Photo: Paramore.net)
Today is June 12th… doesn’t seem like anything special, right? Well, unless is shares some personal significance in your life, like a birthday or friends birthday. Anyhow, as I don’t have a birthday today [or any friends or family with this birthday for that matter], today is still a very special day.

RIOT! Released June 12, 2007
(photo: Paramore shirts)
Why, do you ask [assuming you might have asked]? Four years ago today, Paramore released their second studio album—RIOT!

personally, this wasn’t my favorite album of theirs [although Let the Flames Begin and That’s What You Get are a couple of my favorite Paramore tracks], but this album really showcased the talent and unique quality to  Paramore, hands down. Crushcrushcrush and Misery Business can take a lot of credit for getting Paramore on the scene. As a matter of fact, I remember seeing the video for Misery Business on MTV [yeah, surprising right, MTV was playing a music video, but I think it was one of those absurdly late night ‘we ran out of reality show reruns’ events] and thinking to myself, “YES! Paramore has made a name for themselves.”

See I was one of those kids that picked up All We Know is Falling out of curiosity to a rock back with a tiny girl vocalist and immediately fell in love with the raw guitars, heavy bass, and incredible vocal ability of a 16-year-old girl no bigger than 5’1”. Pressure became the anthem on my early college years and I can’t really recall when the CD wasn’t in the player of my car.

That my friends, is precisely why RIOT! is an album worth celebration. Whether it is your favorite album of theirs or not, I think it is the album that took this college anthem band to the next level. It highlighted their incredible ability from a young bunch of kids hailing from the humble upbringings of Tennessee straight to the lime-light. And whether you are one of those “they sold out” on the music [see Green Day arguments] I would like you to read some of their interviews, watch their video blogs, and see them live—you’ll change your mind, I can guarantee it.

Single artwork for Monster
remaining 3 members Left-Right:
Taylor York, Haley Williams, Jeremy Davis
Left: Zac Farro Right: Josh Farro
Original members left in 2010
I Love Paramore! I’m sure you could tell that by now… But it’s far more than just loving their music or dreaming to live the life of a girl that get’s to tour with rad dudes, headbang on the regular, acceptably tattooed, doc marten, ripped jeans wearin' kinda life. I love Paramore for making great music, for NEVER forgetting to thank their fans for getting them there, and for overcoming what could have been a bands greatest fall [losing two original members]. Instead, Paramore came back even stronger [seriously, listen to Monster it’s AMAZING] and thanks their fans even more for sticking by them… But why wouldn’t we stick by them? They’re worth it.

I highlight this rant about my love for Paramore with my favorite video of theirs because it’s seriously a video that highlights what they stand for—playing music and hanging with friends.



Paramore - That's What You Get (Official Video)


Pain make your way to me, to me // And I'll always be just so (so) inviting // If I ever start to think straight // This heart will start a riot in me // Let's start, start, hey!


music. passion. friends. family. fans. heart. ROCK… Paramore--forever more!





Sunday, June 5, 2011

Live Nation Entertainment—The Debate of Deceptive Fees

Ticketmaster Entertainment Inc. and Live Nation Inc. officially joined forces in 2009; yet, are still raising concerns to live entertainment goers over ticket fees that seem contrary to initial promises of lower ticket prices with the merge.

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For many years, Ticketmaster Entertainment Inc. has landed at the top of concert ticket Google searches, not to mention controlling the majority of all live entertainment ticket sales over the past 10 years. Live Nation Inc. was it’s only direct competitor until the merge in 2009 that made claims to “expand live entertainment options to audiences throughout the world,” according to chairman of Ticketmaster Entertainment, Barry Diller, which in a sense, wasn’t untrue. The merge of Ticketmaster Entertainment Inc. and Live Nation Inc. to create Live Nation Entertainment broadened the possibilities of live entertainment worldwide; yet, it also raised concerns over who the direct beneficiaries actually are—the consumers in search of a great live show at a reasonable cost, or Live Nation Entertainment through deceptive ticket fees.

Pearl Jam performing in Spain 2007 (PearlJam.com)
Ticketmaster Entertainment has been to court on numerous occasions over ticket prices, most notably Pearl Jam’s claim against the ticket mogul in June of 1994. Pearl Jam’s case included the claim that, “many of Pearl Jam's most loyal fans are teenagers who do not have the money to pay the $50 or more that is often charged today for tickets to a popular concert.” Going on to explain that, “although, given our popularity, we could undoubtedly continue to sell-out our concerts with ticket prices at that premium level, we have made a conscious decision that we do not want to put the price of our concerts out of the reach of many of our fans.” Pearl Jam went on to hold a live performance for their fans in Indio, California, not under the jurisdiction of Ticketmaster Entertainment, that later coined the idea for the Coachella Music and Arts Festival.

Below is a shot of the fee breakdown from Ticketmaster.com to give an insight from the seller's standpoint:


Ticketmaster Fee breakdown
(boycottlivenation.com)
Contrary to Ticketmaster's "anatomy of a ticket purchase," in October of 2010, Live Nation Entertainment was hit with another class-action lawsuit for it’s deceptive fees. According to AOL reports, The lawsuit out of California was filed in 2003 and in 2010 gained national class-action status challenging Ticketmaster’s “Order Processing Fee” and other fee’s affiliated with purchasing tickets through the Ticketmaster interface. Many defendants have come forward claiming various fee’s tacked onto ticket purchases, including Curt Schlesinger, who was charged $19.50 for a UPS fee for ticket delivery when the actual UPS rate was only $16.35, declaring an extra $3.15 pocketed by Ticketmaster. Furthermore, the Ticketmaster site makes no statement within its fee descriptions of how UPS delivery fees are accessed, deeming the fee deceptive to consumers.

In January of 2011, Ticketmaster settled on the class-action lawsuit and is set to award many previous ticket purchasers with reimbursements via standard mail. The settlement may also issue consumers with discounts for future ticket purchases. However, numerous fees are still attributed to ticket purchases through Live Nation Entertainment (both the Ticketmaster Inc. and Live Nation Inc. interfaces) and are subject to additional claims. As of May 2011, Ticketmaster fees have enraged consumers raising the bar to upwards of $19 in processing and handling fees according to Daniel Bates.

By the looks of it, live entertainment will always come at an extra cost. The choice remains in the hands of the consumer and whether they are willing to pay the extra fee for live entertainment.




Sunday, May 29, 2011

Questioning the Quality of Popular Music

Album sales and Billboard top 100 lists don't seem to take into account the artistry behind the music, whether it be writing the lyrics themselves, composing the music with instruments or producing music with a purpose grander than breaking a sweat on the dance floor--Popular music has lost it's purpose!

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This weeks Hot 100 on the Billboard Charts consists of Adele's Rolling in the Deep at number one, followed by the creative wits of Katy Perry with E.T. at number two; and then it all gets questionable to say the least, with Pitbull’s Give Me Everything at number three and a stream of auto-tuned, synthesized, instrument and good lyric lacking “club favorites” including my favorite, ever so talented (heavy on the sarcasm), Britney Spears with Till the World Ends.

The Hot 100 on the Billboard Charts ranks 3-7 week of June 4th, 2011
Bruno Mars being the only artist to play an instrument 
This top-ten list, amongst many others in the industry, genuinely makes me question the current state of our cultures musical interests and the ranking systems that conjure up such absurd top-ten lists. The popularity of music is a never-ending argument on what “good music” really is, but I think it’s time for us to really question the talent of the artists getting the bulk of the spotlight.

First, I’d like to note the headline-hogging characteristic of the show Glee, that has accumulated a myriad of fans, not to mention raking in the cash on iTunes. ABC News notes, "Glee's popularity has also sent it straight to the top of the music charts -- the three cast albums are dominating Apple's iTunes album sales." Granted the original artists see some of the proceeds and the show has had a career boosting impact on such artists as Hey Monday and Gwyneth Paltrow, yet the glory remains in the hands of actors that can sing but don’t actually write or compose any of the music. The show may be funny and some of the tracks may be worth a listen, but for them to outsell the original musicians take on their own song seems downright absurd.

       vs. 
               Candles by the cast of Glee                           Candles by Hey Monday  (Original version)
Glee vs. Hey Monday, you be the judge of the better version!

Secondly, I’d like to propose a battle of the rap stars. In 2011, who would you say has the biggest name in hip-hop music? If I were to answer that question, the first name that comes to mind is Drake. Granted, after taking a listen through his entire collection there are intermittent quality tracks; on the other hand, none of those tracks have made him any money. Again we are faced with the debate that popular music isn’t derived from the quality of the song—quality being good lyrics (preferably written by the artist) that serve some sort of thought provoking purpose…not just something that rings well through the streets of Vegas.

Drake photo: theurbandaily.com, Lupe Fiasco photo: beatboxingmayhem.com
Drake’s first solo album Thank Me Later debuted at number one on the Billboard 200 and sold nearly 500,000 copies its first week; yet it received an average of 75 out of 100 by Metacritic, which assigns a normalized rating from mainstream critics. A 75 rating declares a generally positive review and could be considered “not too shabby” when you look at Drake’s overwhelming sales numbers; However, Lupe Fiasco’s debut album Food & Liquor received an average of 83 by Metacritic, and was universally acclaimed for its “lyrical prowess,” according to Chris Nixon with The Union Tribune. Nixon goes on to note that Lupe Fiasco’s appeal is from his lyrical content, even dubbing Food & Liquor as a “modern prayer.” That being said, Food & Liquor only debuted at number 14 on the Billboard 200, compared to Drake’s top spot, and sold a mere 81,000 copies.

Don’t get me wrong, I like to “get down” at the club just as much as the next, But record sales and top-ten lists seem to be forgetting to tally in the actual artistic talent of the musician. What happened to the times when artists like The Beatles hogged the Billboard Charts, not Britney and her fellow puppets of the music industry?




Sunday, May 22, 2011

An American Idol's Tale--Based on Hometown, Age and Gender That is

With American Idol’s season 10 finale just around the bend, we must wonder if the numbers add up in proclaiming the true talent in American vocalists.

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Year after year controversy spans the headlines with the closing of each American Idol season. Are the competition winners actually the best of the bunch, or are their chances for "Idol" victory higher based on their hometown, age and gender?

According to Kevin Downey with MSNBC, American Idol has developed a Southern accent proven strong when Arkansas’ Kris Allen ousted the season favorite and California native Adam Lambert, in season 8. Downey notes, “Six of the eight “Idol” winners have been from the South, including Kelly Clarkson (Texas) and Carrie Underwood (Oklahoma).”
American Idol Statistics Infographic (www.infographicsshowcase.com)
Only Jordin Sparks (AZ) and Lee DeWyze (IL) aren't from the South
The most controversial departure in this year’s season 10 of American Idol has proven to be forth runner up James Durbin from Santa Cruz, California, that Reuters declared “as a sure bet for going all the way to the finals, [but] got the least number of votes despite universal praise from the judges during the week of inspirational songs.” Did Durbin’s departure weigh on the fact that we’ve seen 15 California native finalists but not a single victor to the “Idol” thrown?
Idol Infographic by College Life
Powered by www.classesandcareers.com 
Furthermore, Idol success seems to be greatly defined by the younger generation. According to College Life, one third of American Idol Finalists are in their early 20’s, with the youngest winner Jordin Sparks, who was 17 at the time, and the current finalists being Scotty McCreery who’s 17 from Garner, North Carolina and Lauren Alaina who’s 16 from Rossville, Georgia. Is it a coincidence that the season 10 finale is a head-to-head battle between a southern belle (Alaina) and a Southern gentleman (McCreery) who are also two of the youngest in this year’s competition?

According to the Los Angeles Times, the predominance of male success over the years has even moved Idol producers to reevaluate the voting system to accommodate the heavy female viewership that tends to vote more for male contestants. Randy Jackson, the only original judge still standing, stated “there’s a lot of young girls and young women voting…They really vote more for guys than girls,” even going on to predict two guys in the finale.  Although Jackson’s prediction wasn’t exactly spot on with Lauren Alaina in the final, she and fellow female contestant Haley Reinhart, were the only two girls left standing since early April with the departure of judge favorite Pia Toscano. Also the American Idol finale that raked in the most votes nation wide was the dual of the David’s—David Cook versus David Archuletta, that combined for a total of 97,500,000 votes according to College Life.
Idol Infograph by College Life
6 of 10 finalists shown are male
Overall, as an American Idol viewer, it’s safe to assume the winner will be a boy, aged late teens or early 20’s and most likely from the South. The odds seem to be in Scotty McCreey’s favor this coming Wednesday on Fox, but either way these stats may shed light on premature departures of names like Chris Daughtry (27), Adam Lambert (California) and Jennifer Hudson (female), who all turned out more successful than their fellow Idol contestants that took the crown.




Sunday, May 15, 2011

Writing is Such a Solitary Act - Ben Gibbard's return to Music

Front man Ben Gibbard's battle with alcoholism kept Death Cab for Cutie out of the studio, but they're back with a sober vocalist and a more positive album: Codes and Keys.
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Three years ago was the last time we heard the artistry of Death Cab for Cutie with their second major label album and sixth LP release, Narrow Stairs. So where has the band been since the album that hit number one on the Billboard 200?

Photo: musicisentrophy 
Creative Commons License 
Lead singer and creative mastermind of Death Cab for Cutie, Ben Gibbard has since battled and kicked an alcoholism problem. According to an interview with SPIN magazine, Gibbard’s alcohol abuse was largely due to the writing process for Death Cab’s “darkest and most muscular in the band’s discography,” as reviewed by Pitchfork. Gibbard explains, “Writing is such a solitary act. You spend hours alone, only with your thoughts, and you torture yourself. It's a tendency of many writers to temper the self-destructive act of writing with other self-destructive acts. I certainly was one of those people for a long time." According to the interview with SPIN, a weekend in Big Sur, California brought Gibbard’s to the realization that he had fallen to deep in his alcoholism and said, “I have lost my ability to control this.”

Further explained in the Interview, since the weekend in Big Sur, Gibbard’s has picked himself out of the darkness, coining long distance running and his marriage to Zooey Deschanel as “a positive act [that] helps to balance the negative act of being a writer.”

According to the interview with SPIN, getting sober has shown through Gibbard’s more positive writing for Death Cab for Cutie's next album Codes and Keys to release May 31, 2011. Death Cab debuted the album to a home state crowd in Seattle, Washington. The Seattle Times reviewed the hastily arranged and sold out show as a solid two-hour set with few technical difficulties, “but no one cared, because Death Cab is back with new music to love.”

Codes and Keys, as reviewed by SPIN magazine, is jam packed with a newfound confidence and “eager-beaver optimism.” Gibbard’s describes it as the album about having finally escaped “a maze of a thousand rainy days,” and sings of his new bride, Zooey Deschanel as inspiring the lyrics “oh, how I feel alive.”

The Huffington Post gives a glimpse of Death Cab’s video for “Home Is A Fire” off of Codes and Keys, where Death Cab collaborated with street artist Shepard Fairly—“The outcome is a manifest to the natural link between art and music.”



Don't forget to grab a copy of Codes and Keys out May 31st, and check out Death Cab for Cutie this summer in a city near you.




Sunday, May 8, 2011

In Your Dreams

“It’s a girl” the doctor exclaimed, as his face lit up in joy…

“Finally my own little Stevie.”

Ok, so I ended up not being named Stevie Nicks as my dad intended, but it seems as though he saw the change she would make in this world before most, and wanted to instill that passion in his baby girl.

"In Your Dreams" is Stevie Nicks 7th Studio
Release & hit stores May 3rd
(photo: lonelyfriday.org)
Stevie Nicks, front woman of Fleetwood Mac and perennial solo songstress, is a week into her latest solo album release and is taking the world by storm. She has won over the heart of the difficult interviewer Oprah, not to mention her millions of listeners with “In Your Dreams,” an album that is sure to touch your soul.

This is one of her first ventures in collaborating on many levels with other well renowned artists and notes that “my eyes instantly opened and I understood why Paul McCartney and John Lennon wrote together—because each had something the other didn’t have.” This is a lesson not to be taken lightly by the masses by encouraging collaboration and finding the good in our counterparts.

Nicks, now 62, remains vulnerable and nervous on her latest venture. This album is like an open journal entry and encompasses her entire self. She opens up about her struggles with drug addiction, eight years lost to poor doctor’s prescriptions, lost love and overall growth as an artist and a woman. And even though the 140 million record seller is popularly believed to be in no position to be nervous, she exclaims, “it is huge pressure, but I needed to make a record, I needed to write songs and be the artist that I have always told everybody I am…” In my humble opinions, that is a musician of great inspiration; one that creates an art form not driven by the money or fame, but to drive the passions of her listeners, tell her story and hope that it touches someone.

My parents may have compromised in naming me Lindsay (the female spelling) after Lindsey Buckingham of Fleetwood Mac, but from the moment he heard her sing, my daddy knew Stevie Nicks would make a difference—and if you ask me, she has just begun.

“In Your Dreams” hit stores May 3rd and is only the beginning of a second leg for Nicks. What’s next for Stevie? “I have no idea, but I do know the music will continue.”






Friday, May 6, 2011

Story Telling


This post is inspired by The Tide by The Spill Canvas. It came on my pandora station today and I was immediately taken back to my college dorms, where I heard this song for the first time... Where I fell in love. With a boy? no. With music. with The Spill Canvas. With the idea that a song can change your life.

So hit the play button and read on with a soothing soundtrack of an acoustic guitar and the voice of Nick Thomas.



I've said it before, and will probably say it again (after this time too), that music can really say the words we can't muster up the courage to speak out loud. It can feel the emotions racing through our veins and explain where those feelings come from in the first place.

I am not a believer in many things. As a matter of fact, I roam this world with very little belief in myself, let alone other people, a higher power, human nature, or even my car to get me from point A to point B. What I can honestly say is that I believe in music. Call it my religion, with every song as a different story to tell, sermon to follow or secret to reveal. All the feelings that encompass my tangled heart are expressed in the lyrics and melodies from other people that have felt the same way, or understand the fact that not every tortured soul can be explained in our own voice.

With that being said, this piece is to inspire you to find the song, the artist, or the album that had an impact on your life. You know, the type of song or artist that no matter how many years later, or how many times you’ve heard it, you remember the day—where you were, the smell in the air, the reason you heard the song in the first place.

There’s really nothing like a song or a band that can make you reminisce so vividly of a time and place that profoundly impacted your life. A time when you were free of worry or strife, when the music was more important than homework or bills—a time when you were happy!

I couldn’t possibly narrow my list into one specific song or artist, as I have had the kind of life that is soundtracked by so many different emotions. Like Blink 182’s Adam’s Song, is both one of the saddest and happiest tracks to this day based on the loss of a friend and a lasting memory of my dad (read the whole story). Or Journey’s Don’t Stop Believin’ is far from a karaoke ballad blaring from the stereo. It takes me to a Saturday afternoon in my late Uncle Michael’s room, dancin’ around with my ratty mess of hair and bare feet on a 70’s style shag carpet. I could go on-and-on about the stellar vocals of Stevie Nicks singing metaphorical bliss and shaping much of who I am today and Fix You by Coldplay justly being labeled the saddest song of my life [Josie from Blink 182 probably being the happiest], but I won't... Plus how could I pick just one when I have four tattoo's that are enriched with lyrics or inspiration of four different songs and three different artists, jam packed with meaning and life lessons, on my skin forever. I can't.

Either way, the greatness of this notion to find that perfect song lies within the ability to go on forever about the sounds of savior, as I like to describe music. The fact that I can sit here and write pages upon pages of countless memories backed by guitar solos, headbanging, and vocalists I can only dream to be like, proves the ability for music to shape a life…For the better!

So what's your story?




Tuesday, April 26, 2011

Battle of the Rap Stars

My previous blog finished off with a pretty presumptuous (according to popular belief) declaration that Kid Cudi is better than Drake. And although my personal opinion still holds strong in that belief, a rousing debate with a good friend of mine kept the topic on the tip of my brain for the remainder of the day which sparked a little more curiosity in finding an underrated rapper, that again, is better than Drake.

Don't get me wrong, I respect Drake as an artist, and through the debate with my friend, I understand the fact that he is lyrically better throughout his entire albums compared to his highly renown singles. That being said, my quest to find other rappers better than him may derive from the fact that his voice grates on my nerves, or the overwhelming consistency in the music industry (and fans) giving to much credit's due to artists that can and should be outdone by other, less credited artists. Basically, I think Drake and artists alike (Lil' Wayne, Britney Spears, Ke$ha, Bruno Mars, and all the other overplayed, radio hogging, "best rapper/pop star/artist EVER") could spare a little spotlight to the real talents (direct hack at Britney Spears, because I still think she has become a talentless music industry puppet).

Long story short, this is a continuation to my previous blog, except I would like to declare a new opponent for the infamous Aubrey "Drake" Graham. This time around he will be taken down by force of Lasers.. That's right ladies and gents, Lupe Fiasco is better than Drake-- Yeah I said it, and here's why:

Laser's is Lupe Fiasco's 3rd studio album but could be considered his first when compared to the popularity of Drake. His most notable single before releasing this hip hop masterpiece was along the lines of "Kick, Push," which if I were to ask a handful of people have probably only heard a few times, if at all. Not to mention it being popularized for sound, skate/youth culture, and sound-tracked on multiple TV shows, not for the best of his abilities (which leads back into the music industry spoon feeding the public). Anywhoo...

(photo: Lupe Fiasco's Facebook)
Lupe is known for his deep rooted lyrics, focused around the troubles in the world and his positivity shining through in hopes to shed light on, and spark revolution in fighting the worlds injustices. That alone is cause for major industry respect. His song Hurt Me Soul, speaks about respecting women, and initially not respecting the rap game for glamorizing drug dealing. He goes on to flow so effortlessly about all the things in the world that "hurts me soul," like welfare, prostitution and lack of health care. I could claim Lupe victorious in this battle by that song alone, but he's not done there.

His newest album Lasers (which is amazing to say the least) has a song called Word's I Never Said, with a ridiculous flow about the war on terror, budget cuts in education, and how the news is so absurd it may as well be Jersey Shore. The verses he strings together about such heavy topics is his skill--actually caring about these injustices is his passion--Respect!

Although it was argued to me that lyrical ability and freestyling are polar opposites, I still see it as an overall talent to a hip hop artist. My argument is that, with some extra time and a pen I can come up with awesome lyrics, but off the top of my head and just a beat I'd probably freeze or just string words together that rhyme (like most popular rappers that lack the ability to produce a quality freestyle).

That's not Lupe... This guy is the double edged sword in a battle of the rap stars. Here's a freestyle I found of Lupe Fiasco rippin' up the house, on his birthday, nonetheless:



I don't even feel like posting Drake's again.. Too slow, too many pauses to think, too... not as good as Lupe!

Buy Lasers! And while you're at it, check out Food & Liquor and The Cool, cuz' this guy's legit... and better than Drake ;)

Check him out rockin' the stage on Letterman with his new single "The Show Goes On" –




Sorry guys... I obviously don't like Drake. But I hope I introduced you to the overlooked talents of Wasalu Muhammad Jaco, better known as Lupe Fiasco.

Come What May,

Lindsay Taylor


Sunday, April 24, 2011

Lip Syncing, Auto Tune, Songwriters & the Loss of Talent-- But Who's Fault Is It?

I had an entire blog post written and ready to publish when a heated argument sparked in the center of my childhood kitchen. The premise of the argument was, "Does Britney Spears deserve all of her fame and fortune when her latest album had 22 songwriters for 16 tracks and her voice was modified or sharpened through the means of auto tune and studio machines?" Or in other words, has the music industry lost the product it initially set out to play?

Britney Spears new album has
22 songwriters, none of
which were Spears herself
(photo: Dailystab.com)
In the right corner was my oldest brother Nick and myself, with the argument that the Music industry  has sold out in producing albums like Britney Spears' Femme Fatale (where little to no input was actually put in from the so-called 'artist') or Paris Hilton's atrocious monstrosity Paris (who was rumored unable to tour because of her lack in vocal power to resonate through the stage speakers), when it's initial intent was to create a type of art through the talents of actual musicians that can either sing, write music, or play an instrument.

In the left corner was my mother, with the argument that 1. Britney, Paris, and others alike have to have some stroke of talent to make it in the music industry (which was refuted with the fact that in the entertainment business a pretty face goes a long way) and 2. it is the consumers fault for driving the success of the aforementioned 'no talent' artists.

Our Femme Fatale joins
millions in puffing nicotine
(photo: PopularSmokers)
In my mothers first argument she claimed that "millions of people couldn't be wrong" about the actual talent of artists that have the ability to make multiple albums. My brother and I decided to bring up a few stats about certain albums (cough cough, Femme Fatale) that are carried along by their auto tuned studio backing and  22 songwriters for 16 tracks. We also went on to use the analogy that, in fact, "millions of people CAN be wrong" which is quite obviously shown through the success of tobacco companies. It's nearly impossible to not know the dangerous effects of tobacco and nicotine, yet "millions of people" still smoke (as do "millions of people" purchase albums from people that actually lack musical ability). And moving so effortlessly in refuting her second argument, the success of certain artists alongside the popularity of cigarettes is quite possibly driven by the spoon fed propaganda of the music industry and tobacco companies.

Granted, much of this argument, from both corners, is based on opinion of what "good music" is and what makes an artist worthy of record sales, but what it brought to my attention was the question of what drives the success and popularity of music. Is it the talent and creativity behind an artist or is it the music industry's backing of the "sex sells" business model and it's ability to tell the consumer what is good music, or what we want to listen to.

Frank Zappa was an American composer, singer-songwriter, guitarist, record producer and film director for 30 years. Needless to say, he is an icon within the music industry and has a significant opinion when it comes to the direction of the music industry. Although he passed in 1993, he was interviewed on the difference between the old time record producers that trusted in the talent of the groups on whether the album would make money as opposed to new age, young and confident producers that spoon feed the masses on what is a "hit."



the previous video proceeds with Radiohead going on to support Zappa in the idea that it's the Music Industry that points fingers on who to blame for the lack in artistry of today's music, when in reality, it's the industry itself that is producing the "music" from "artists" that need to lip-sync during live performances either because they don't have the vocal talent to perform live or need to save their breath to dance rather than sing. Or how about the idea that radio DJ's used to pick and choose the songs they played based on emotional attachment  to the sounds or lyrics and have now turned into programmed play lists with DJ's discussing the next celebrity scandal during hourly play list breaks. Has the radio even forgotten what music is all about?

I think this is an endless debate worth getting into for anyone that is passionate about music. I want to end this with a comparison of two current rappers. One of which is popular beyond belief for his Lil' Wayne like vocals and songs featuring other major artists like Kanye West and Eminem, who only took a single to hit the top of the charts, Grammy nominations and Grammy performance invites, Juno awards and Rap Recording of the Year versus another rapper that has worked with some of the same artists but hasn't taken home the popularity or award nominations and trophies : Drake vs. Kid Cudi.

Rappers used to be (and in my humble opinion, should be) rated on their lyrical talent and ability to freestyle with ease. According to the following representations of freestyling ability, the success of Drake and Kid Cudi should be reversed as both artists were given the opportunity to show their talents on the same radio show and Kid Cudi clearly wins the freestyle battle...





We are all entitled to our opinions of what good music is, or who should be topping the Billboard charts. What should be noted, through this depiction of the music industry, is whether we are taking the opportunity to formulate our own opinions, or if the music industry is forming them for us. You be the judge, but this is what I think (backed by some respectable opinions and a few statistics).

Come what may,

Lindsay Taylor


Sunday, April 17, 2011

No Shirt, No Shoes, No Problem

Click for photo gallery
Southern California, the country's most sought out region for beautiful weather, beautiful people, and a music festival unlike any other--Coachella. That's right ladies in gentleman, after months of waiting, selling out in less than 3 hours, and road trips from across the country, it's finally here. One of the biggest music festivals with some of the biggest names in music to date, all on a few stages scattered through the Coachella Valley Polo Grounds of Indio, California for 3 long days of camping, dancing, bonding, raising money, art, and building lifelong memories accompanied by an amazing soundtrack. 


Coachella 99' (click for photo gallery)
Coachella started over ten years ago in October of 99', the same year we saw the resurrection and sudden demise of Woodstock that was literally burnt to the ground and never attempted again. About 25,000 music loving people attended in support of headlining acts like Beck, Tool, Morrissey and Rise Against the Machine. 

So what stopped the Coachella Music and Arts Festival from rioting out as the infamous Woodstock 99' incident? 

Death From Above 1979 reunites for 2011
Coachella Festival
(Click for DFA'a Facebook Page)
Coachella is known for a meshing of multiple genres including alternative, indie, techno and electronica, hip hop and R&B and is surrounded by installation art and sculptures that is usually interactive to feed the interest of Polo Ground wanderers in between sets. Losing your shoes, or not wearing any in the first place, are common occurrences and all the time and money road tripping with your best friends and sunscreen in tow tend to make this festivals party-goers good spirited rather than rioting fire-starters. Not to mention the fact that the idea behind the country's largest and fastest growing music and arts festival was sparked by the artists themselves. It was Pearl Jam in November of 93' that decided to perform for thousands of supporters in the desert grounds of Indio, California in protest of Ticketmaster and all the Stadiums it controlled. Coachella Festival is also responsible for reuniting over 15 loved bands with cult followings like Death From Above 1979 for this years Fest. 


Who would riot a festival so strongly supported by it's talent? Yeah--I wouldn't either!

Weren't able to snag a couple tickets during the 3 hour sellout this year? That's ok, catch all the Coachella action on YouTube that has been streaming major performances. Turn up the volume, kick off your shoes and rage with The Black Keys, Mumford and Sons, Duran Duran or Flogging Molly, amongst hundreds of other artists.



Here's a sneak peak to Flogging Molly's set on Friday April, 15th... Less than a month from St. Patrick's Day, I think we can all still appreciate a little Irish pride echoing the SoCal Desert.

And don't worry ladies and gents, this festival is not only an annual event, but it's getting bigger and better every year incorporating a larger variety in music and art. This year's line-up alone offered acts like Wiz Khalifa and Kanye West for the hip hop fans mixed in with Jack's Mannequin and City and Colour for those who like the acoustic and indie sound, and topped off with Neon Trees and DJ Hype  to strap on your dancin' shoes and wave those glow sticks in the air.

Take a ride through Coachella 2011 with Alex Curry and her gang to capture a feel for the Coachella atmosphere, and most likely convince you  to get to the Indio Campgrounds in April of 2012.


Check out Alex's blog "Curry Time" for more on Coachella, music, health, fun... you name it!

Coachella Music and Arts Festival aims to please. Great music, beautiful art, and unforgettable memories... Worth every degree of the Indio desert heat!

Check out the Official Coachella Website for anything and everything Coachella with links to all the artists Facebook, Twitter, and YouTube pages. And get ready, Coachella 2012 is only a year away.

[This just in, Coachella 2012 will be held on 2 weekends!]

Come what may,

Lindsay Taylor



Information for this article can be found here and here.. and through some awesome personal Coachella experience! 

Saturday, April 9, 2011

Educational Octaves

Photo: calstatela.edu
California is a state of great diversity. It’s also a state that has struggled to produce a strong public education system for many years...

I currently hang my hat in America’s most sought out city—San Diego. However, I hail from the small streets of Moreno Valley, California, a city with a population in the 200 thousands but an appeal of small town suburbs where everyone knows everyone and Starbucks is a brand new venture.

I grew up with Music as a major influence in my life. My uncle, brother and myself dabble in instruments and vinyl is a collecting habit of the Young family. My brother and I joined the band programs as young as elementary school and found it to be the link behind our social world, passion, creative thinking, and dedication. That being said, I wanted to take a closer look into the idea that Music has the potential to increase education and enhance learning.  

Karl Glenn claimed music as one of the great art forms--one in which could mature creativity and enhance education (Glenn, 1992). 

Just listening to music has the capability to enhance spatial task performance, design and procedure, and the study of music can produce higher creative and learning functions (Shaw, Rauscher, & Ky, 1994).

Moreno Valley High School has the lowest academic performances of individuals (API) within Moreno Valley Unified School District.


Education Statistics of California Data Set
As an alumnus from Moreno Valley High School, I also know that our music program was folded in 2004 due to budget cuts. Is there a direct correlation between the two? Well, looking at a comparison to MVHS’s rival high school Valley View, which to this day has a growing music program that produces CDs for a changing band (as students graduate the band changes) by the name of The Raspberry Blues, we can see the API for VVHS is much higher than that of MVHS.

Education Statistics of California Data Set

Continuing the comparison of Moreno Valley High and Valley View High, we can see that with a statewide poll of educational ranking, Valley View ranks far higher than that of Moreno Valley.
Education Statistics of California Data Set
Although the data is not with direct evaluation of a music program, other studies have shown that the inclusion of a music curriculum can increase the way in which teens approach their education. According to Cohen-Taylor, when teachers include popular song lyrics into their reading materials, students approached other printed materials in a positive manner; whereas, students, without a learning through lyrics curriculum approached other reading materials with apathy. Furthermore, a study by McTeer and Bailey found that students improved their attitude towards history and subject matter when correlated with popular music (Eady, & Wilson, 2007).

Needless to say, I am an advocate of combining educational efforts with the inspiration of music. The idea that creativity alone can be increased, just through a set of headphones and a musician from one of the greatest art forms, inclines me to believe that success is driven through great music. Many, if not all career paths have some sort of creative influence to be the best, most cutting edge and influential within a respective field of work. With music comes creativity… why question that?

A song that has had great influence on my life…

The Spill Canvas - Appreciation and the Bomb

If there's one thing I've learned // it's that we never feel the heat until we get burned // but we try so hard not to die // sometimes we forget to appreciate life 

Come what may,

Lindsay Taylor 






That data from this blog can be found in the Education Statistics of California and the following cited works:

Eady, I.L., & Wilson, J.D. (2007). Restructuring music's role in the middle school curriculum. College Student Journal

Glenn, K. (1992). The benefits of music education--now and in the future. NASSP Bulletin, 76(544), 1-4.

Shaw, G.L., Rauscher, F.H., & Ky, K.N. (1994). Music and spatial task performance: a casual relationship. Proceedings of the American psychological association 102nd annual convention (pp. 365-611). Los Angeles: http://www.burchschool.com/musicstf.html.